| 1 | Susanne Sundfør | "Mountaineers" | single | Songs can assume form in meticulous time-lapse, |
| 2 | The Killers | "Run For Cover" | single | or speed us down open roads, |
| 3 | The Interbeing | "Deceptive Signal" | Among the Amorphous | or blast out of a cliff-face or in. |
| 4 | Bright Light Bright Light | "Into the Night (Junotrix '84' Remix)" | Into the Night (Club Remixes) | They can be sent plunging backwards through time, and then be retrieved for study. |
| 5 | New Arcades | "Fade" | single | Usually, when we do this, our instruments suggest that the future is real, but the past is imaginary. |
| 6 | SKIES | "Green" | single | This is one of the two possible fates of measurement, both tragic, |
| 7 | Masterplan | "Mr. Ego" | single | which is why Heisenberg said that past particles are each obsolete in their own way, |
| 8 | Coldspell | "Call of the Wild" | single | but future particles are all triumphantly the same. |
| 9 | Snakeyes | "Sign of Death" | single | The impossible is triumphant by definition. |
| 10 | Absolva | "Harsh Reality" | Defiance | Any song that sounds like people had and took time to play it until they got it right is affirmational and humanity-positive. |
| 11 | Apollo | "A Moment of Silence (feat. Peter Jessy)" | single | A violin is a machine for joy. A fake violin is a real machine. |
| 12 | Nokturnal Mortum | "In the Boat with Fools" | Verity | |
| 13 | Myrkur | "Ulvinde" | single | that no one owns. |
| 14 | Necro Deathmort | "80,000" | single | Atmosphere is not always neutral; |
| 15 | Thisquietarmy | "A World Without Power" | Democracy of Dust | the background may have its own ideas about deferrence and power. |
| 16 | Caitlyn Scarlett | "Hell for a Honeymoon" | Red Tape, Vol. 1 5 | You may become lost in bright labyrinths open to the mutely beaming sky, |
| 17 | Suicideyear | "Flood (Autumn Hate)" | Hate Songs | and then night falls. |
| 18 | Wrabel | "It's You" | single | But wait a moment, before giving in to terror. Feel along the walls for a mirrorball switch. |
| 19 | Sylar | "Points Of Authority" | single | There are menacing creatures in the darkness, but they like to dance as much as you do, |
| 20 | As December Falls | "... You're Giving Up" | Keep Deaming... 2 | like to think of these narrow spaces as passageways for falling in love |
| 21 | Stick To Your Guns | "The Sun, The Moon, The Truth: "Penance of Self"" | single | or failing to with defiant aplomb. |
| 22 | Stand Atlantic | "Mess I Made" | single | Look them in the eye and smile. |
| 23 | Minniva | "Hunting High And Low" | single | We are here to see what delight can destroy, |
| 24 | Ela | "Deadly Sins" | single | and what we become when we outlive this. |
| 25 | Worhol | "We, The Abused" | The Awakening | We are here to find ourselves in endlessness. |
| 26 | Converge | "Eve" | I Can Tell You About Pain 2 | We are here to eat through these stones with our corrosive blood, |
| 27 | Blood Stain Child | "O.k.e.@.n.o.S" | TRI ODYSSEY 4 | to get to the mineral veins |
| 28 | Eluveitie | "Lvgvs" | single | and older legends. |
| 29 | Golden Retriever | "Pelagic Tremor" | Rotations | A piano will not quite float, |
| 30 | Jonathan Parecki | "Zen Zen Zense (From "Your Name. - Kimi no Na wa.")" | single | normally, but in a not-quite ocean you never know. |
| 31 | ToxicxEternity | "Mute City" | single | Oceans are no less artifacts of context than pianos or other cities. |
| 32 | Belle & Sebastian | "We Were Beautiful" | single | You can fit a world into a room. |
| 33 | Tori Amos | "Cloud Riders" | single | Sometimes you can even tell |
| 34 | Lilly Hiatt | "The Night David Bowie Died" | single | what posters used to be above the bed. |
| 35 | Matt Pond PA | "The Ballad of Laura and Mike (feat. Laura Stevenson)" | single | Remember the nights we would have spent here, listening to records, if we'd known? |
| 36 | CASTLEBEAT | "Heart Still Beats" | single | I am still in love with the people we would have been. |
| 37 | Chelsea Wolfe | "Vex" | single | I have a database of their ghosts, |
| 38 | Softer Still | "Junipero" | Visions of You 4 | and all these T-shirts too soft to wear. |
| 39 | Archspire | "Remote Tumour Seeker" | single | The nights |
| 40 | Dying Fetus | "Reveling in the Abyss" | Wrong One to Fuck With | are terrified and lost |
| 41 | Dawn of Disease | "Leprous Thoughts" | single | without us |
| 42 | Versengold | "Funkenflug" | single | when the morning comes again. |
| 43 | Leprous | "Stuck - radio edit" | single | We are secure in complicated evasions. |
| 44 | Rings of Saturn | "Servant of This Sentience" | Ultu Ulla | But of course "secure" is the wrong word. |
| 45 | Davide De Marinis | "Stringi più che puoi - Valerio Music Radio Edit" | single | We are not so much secure as we are gradually inevitable. |
| 46 | Carlos Vives | "Robarte un Beso" | single | Sometimes when it seems like we have learned nothing, it feels like it was never on us to learn anyone else's ways. |
| 47 | Lali | "Una Na" | single | Our hits don't lie. |
| 48 | Mickey Guyton | "Nice Things" | single | You are alive to hear the greatest songs we have ever written |
| 49 | Callejon | "Utopia" | Fandigo | and to deliriously skip ahead with :15 left in order to hear sooner what's next. |
| 50 | Crimfall | "Mother of Unbelievers" | single | Such is our overwhelming, untenable profusion of joy. |
| 51 | Travis Atreo | "Heavy" | single | Such is our hopelessness, |
| 52 | Leo | "Heavy" | single | our grief, |
| 53 | Sam Tsui | "Alone" | single | our loss. |
| 54 | Alex Lahey | "Every Day's the Weekend" | single | But the people who die today cannot die again tomorrow, |
| 55 | Ecca Vandal | "Broke Days, Party Nights" | single | and therefore we are all mostly immortal. |
| 56 | Estiva | "Little Planet" | single | Thus our responsibility for everything. |
| 57 | Ultimate | "Perihelion" | single | The planet would spin cheerfully on without us, but it would be our fault. |
| 58 | Electrodomesticos | "En tu mirar" | Público | This is why we have scripted these rituals of acceptance, |
| 59 | Yonca Evcimik | "Kendine Gel" | single | and why they always have dance scenes. |
| 60 | Illbliss | "God of Wonders (feat. Praiz)" | Illy Bomaye | Our gods are excavated from the walls of our dead ends. |
| 61 | Odd Nosdam | "LIF" | LIF | The guitars can have solos without us; |
| 62 | Meteor | "Forever War" | single | we set the machines into inexorable motion when we make them. |
| 63 | Wen | "CASCADE" | CARVE + GAZE 4 | What are machines but manifestations of our momenta |
| 64 | Thelem | "Ninety 3" | Ninety 3 +2 | and determined embeddings of our preconceptions into what we think are our defiable constraints? |
| 65 | J.Fla | "Despacito" | single | Sometimes, slowly, we can untangle ourselves from their power cords and temperamental untethered wirelessnesses. |
| 66 | South London Ordnance | "Parallel Window - Sigha Remix" | Parallel Window | Sometimes we cannot, and so we build up great cities around the places we cannot escape |
| 67 | Eddie van der Meer | "Jiyuu No Tsubasa (From "Attack on Titan")" | Anime Songs #9 | until we no longer want to, and this is how true science fiction becomes wishful folklore. |