| 1 | Edenbridge | "On the Other Side" | single | Portals to other worlds, made out of chords and words and internal logics: |
| 2 | IKINÄ | "Senkin millenniaali" | single | this isn't the only disruption capable of wielding power through music, but it's probably the primordial one. |
| 3 | Metalite | "Apocalypse" | single | It's certainly and uncertainly how the dire can be expanding, |
| 4 | Chasing Embers | "Spiritual" | single | how cathedrals can be atheist transmutation, |
| 5 | Ethereal Kingdoms | "Distance" | single | how revolution can be confirmational. |
| 6 | Minniva | "In Orbit" | single | We see others fight their versions of our battles, |
| 7 | Transworld Identity | "Part Maroon, Part Indigo" | single | and learn something about ourselves by relative disassembly. |
| 8 | Stand Atlantic | "Hate Me (Sometimes)" | single | We see a gate we imagine we could step through, |
| 9 | VUKOVI | "All That Candy" | single | and then we turn back to our own world knowing that we are not trapped in this. |
| 10 | Yanakoto Sotto Mute | "Cry Out" | single | This is only one of the countless astonishing realms, |
| 11 | OYASUMI HOLOGRAM | "Plan" | 1 | and we in turn are instructive curiosities for vacationing angels |
| 12 | AliA | "realize" | realize | on their day-pass busses, |
| 13 | Bray me | "GRACE" | single | waving to us in a way that ought to tell us why they chose this place to visit, |
| 14 | Narumi Shiina | "Bokunankaniha Mottainai to Itte Furu Otoko" | Kimi no Pantsu wo Tabetai 4 | but even if we somehow guess it, it won't help us explain to ourselves why we chose it to live. |
| 15 | Lucie,Too | "Heart Wave" | single | The isolationist's error is looking through openness backwards and thus mistaking yearning for smugness, |
| 16 | Mrs. GREEN APPLE | "CHEERS" | single | sepia and oxidation for gold, |
| 17 | Jam Fuzz Kid | "Welcome to me" | single | privilege for accomplishment, |
| 18 | Hollow Suns | "Into the Water" | Into the Water 5 | swallowing seas for the emergence of Atlantis or Adria. |
| 19 | NOTHING TO DECLARE | "In Silence" | single | The nihilist says the same thing to every song we offer: it was silent before. |
| 20 | In Mute | "Chaos Breeder" | single | Of course you can argue that it was never silent, |
| 21 | Earth Moves | "Into the Ether" | single | since of course it was never silent, |
| 22 | Nulbarich | "Lost Game" | single | but the nilhilist is not hollowed by nostalgia, |
| 23 | Dir En Grey | "The World of Mercy" | The World of Mercy +2 | or inspired to undo our exquisite errors, |
| 24 | DEXCORE | "Without a Doubt" | DON'T BE AFRAID 3 | they are terrified of hope. |
| 25 | SKÁLD | "Ódinn" | Vikings Chant | The narcissist says "I alone can fix this", |
| 26 | Ereb Altor | "Avgudadyrkans Väg" | Järtecken | the nihilist says "I alone", |
| 27 | Omnium Gatherum | "Chaospace" | Chaospace +1 | which is a good demonstration of how you can be less wrong but still wrong. |
| 28 | Syberia | "Seeds of Change" | single | The one thing you can never be is alone. |
| 29 | Leprous | "Alleviate" | single | You can row to an island in between continents, and you'll find that they've had government there for a million years. |
| 30 | HELGA | "Into the Light" | The Autumn Lament | You can invest in the darkness, but every market moves in cycles. |
| 31 | Dancing With Azerus | "Ofelia, Together We Will Watch the Storm" | Shelter in the Storm 4 | You can buy a bigger bass drum, |
| 32 | YYNOT | "Wildest Dreams" | Resonance | but the waves still stop at zero and end somewhere out past your illusions. |
| 33 | Fury Weekend | "Sleepless Nights" | Sleepless Nights (feat. PRIZM) | You are not the first to lie awake, |
| 34 | SelloRekt / LA Dreams | "Sounds and Waves" | Sounds and Waves +3 | not the first to memorize nightlit geometry, |
| 35 | 3FORCE | "Future Frame" | Future Frame | not the first to try to theorize your own sleep. |
| 36 | Man Without Country | "Forever Endeavour" | single | Shadows are portals; and synthesizers, |
| 37 | The Anix | "Digital Bath" | Digital Bath | and dissidence, |
| 38 | Orbit Culture | "Nensha" | single | and cargo-cult dissidence set aflame, |
| 39 | Noctem | "Sulphur" | single | and the kind of hopelessness that you achieve by letting go. |
| 40 | Estuarine | "The Pain Never Dulls" | single | It's rational enough to fear hope: |
| 41 | 7xvn | "And Down We Go" | Paper Cut 2 | Hope invites change, |
| 42 | Paledusk | "9 SMILES" | 9 SMILES +1 | and if you start letting your guests bring friends, your party becomes a community. |
| 43 | NVDES | "That's It" | single | You can get a party dancing with a phone and a decent playlist. |
| 44 | Iglooghost | "Teef Chizzel" | XYZ | Animating a community requires a network |
| 45 | iskwē | "Sweet Tuesday" | single | and culture, |
| 46 | Slayyyter | "Devil" | Slayyyter | taboos and thieves, |
| 47 | Hannah Diamond | "Part of Me" | single | syncretic graffitti |
| 48 | Eléonore | "Tesoro" | single | written on old walls, |
| 49 | Overcoats | "Leave If You Wanna" | Leave If You Wanna / Keep The Faith 3 | open gates |
| 50 | Millie Turner | "Ride This Train" | single | and a schedule for how you get from here to any other place. |
| 51 | Kitten | "Goodbye Honeymoon Phase" | Goodbye Honeymoon Phase +1 | Closing time: you can long for home, but you haven't been here that long, either. |
| 52 | Mia. | "KopfÜber" | single | Long enough to still yearn for new lands. |
| 53 | Georgia | "Never Let You Go" | single | Long enough to think we will never want to leave, |
| 54 | A Certain Smile | "Cherry Bomb" | Bae 3 | or that reasons to leave are also reasons to never return. |
| 55 | Clock Opera | "Be Somebody Else" | single | Long enough to mistake ourselves for these other people, |
| 56 | Larkins | "Not Enough Love" | single | and to mistake "not my problems" for "not problems". |
| 57 | Lonely Avenue | "Watermelon Squirt" | Attack on Robot Pirate Island | Long enough that the portals are among us and forgotten, |
| 58 | The Menzingers | "Strangers Forever" | Strangers Forever +2 | until the day one opens and they start pouring through: |
| 59 | Donovan Woods | "Way Way Back" | single | wanderers who make eye contact, |
| 60 | Kalie Shorr | "F U Forever" | single | the people you earnestly betrayed, |
| 61 | 17 Memphis | "Creatures Of Habit" | single | the ones you thought you would be |
| 62 | Sarahbeth Taite | "Up All Night" | single | and the ones you find yourself with, |
| 63 | Chelsea Gill | "Starlet" | single | the ones willing to lead you |
| 64 | Faun | "Spieglein, Spieglein" | single | and the ones willing to help you tell the story of how you came to an ensigiled glade without armor. |
| 65 | Dragonfly | "El Guardian del Tiempo" | single | We fight half of our battles for an audience of darkness, |
| 66 | Debler | "Adictium" | single | half for the sound of striking metal |
| 67 | Eveth | "Entre las Sombras" | Puerta Áurea | out here where we have agreed not yet to sleep. |
| 68 | Bon Vivant | "Cuentos y Retratos" | single | Portals to other worlds in which all things but one are the same, |
| 69 | Alvin és a Mókusok | "VILÁGVÉGE" | single | which is how you learn one thing about yourself. |
| 70 | Malva | "Todo Lo Que Me Juraste" | single | Diverting a culture requires astronomical force, |
| 71 | Paleowolf | "Tree" | Megalitheon | or tectonic, |
| 72 | Faizal Ddamba Mostrixx | "Village Bass" | Kuhamahama 3 | or whatever you call the attractors that pull our feet back to the ground with every ecstatic step. |