| 1 | TVINNA | "Inside - The Dark" | One in the Dark | We are the children of ritual and halflight, |
| 2 | Helalyn Flowers | "Rosso atlantide" | Àiresis | and we have a hundred words for falling in love |
| 3 | ZLUTZ | "Conscious and Earthbound" | single | with shapes glimpsed in fire or shadow, |
| 4 | Escuchando Elefantes | "La Estrella" | ¿Por Qué Siempre Cantáis en Inglés? | but the point of words is not always to quietly take up the places |
| 5 | Eva Ryjlen | "Criatura Salvaje" | single | of the thoughts that have died before ours. |
| 6 | Zahara | "canción de muerte y salvación" | single | Sometimes we sing to release our convictions |
| 7 | Diamond Kobra | "Twelve Parsecs" | single | from responsibility for belief. |
| 8 | Elyose | "Metropolis" | Persona | Sometimes we sing to assert a retrospective order |
| 9 | Heart Healer | "This is Not the End" | single | on places we have collectively come to rest. |
| 10 | MoonSun | "Falling" | single | Sometimes we open our mouths to listen. |
| 11 | Crystallion | "Living on a Lie" | Heads or Tails | The skull is a leaky isolation machine, |
| 12 | Marty Friedman | "The Perfect World (feat. Alfakyun.)" | The Perfect World (feat. Alfakyun.) / Makenaide 2 | like the heart is a poor shield against hope. |
| 13 | Eyes Set To Kill | "Find Our Way" | single | Dusk is both liminal and relentlessly repeated, |
| 14 | Icon For Hire | "Enemies" | Amorphous | so it's tempting to wonder whether anything we haven't yet escaped |
| 15 | Dessa | "Bombs Away" | Bombs Away +1 | is necessary after all. |
| 16 | First to Eleven | "drivers license" | single | All our roads go past all the places we've been. |
| 17 | CLEWS | "Want You That Way" | single | We drive faster, but never leave this town. |
| 18 | Greywind | "Am I Asleep?" | single | We are the masters of tactile cycling without material change, |
| 19 | Linn Koch-Emmery | "Blow My Mind" | Blow My Mind +2 | of practiced steps taken towards anticipatory awe, |
| 20 | Moonrunner83 | "Like We Were Kids" | single | of new dances based on how you sway almost imperceptibly |
| 21 | Soraya | "Mysterious Times" | single | in the torque of memories of moments of self-contained promise. |
| 22 | Parallels | "Hidden Sun" | single | The scientists promised us paradise, |
| 23 | Escuchando Elefantes | "Calma y Tempestad" | ¿Por Qué Siempre Cantáis en Inglés? | and our mistake was forgetting that science only promises what it has already found. |
| 24 | For Tracy Hyde | "Sister Carrie" | Ethernity | We are the enemies of time, but so too statues placed on cliffs facing the dawn. |
| 25 | DIGM | "Freiheit" | single | There is a bakery on a hill in a city where we've never been, |
| 26 | 和氣あず未 | "いそげあじゅじゅ" | 超革命的恋する日常 | and you don't have to go there to understand how we are all tourists everywhere, |
| 27 | AFTER SQUALL | "the DAWN" | THE PINKY | but they make these almond buns, and you can take them down to where the restless ferries pause, |
| 28 | Novelbright | "フェアリーテール" | single | and then if you don't feel lifted from the earth |
| 29 | SHE'S | "In Your Room" | 追い風 4 | you still have almond buns to eat, |
| 30 | H△G | "君のままでいい" | single | and coffee to drink if you also brought coffee, |
| 31 | PARADISES | "消えないもの" | single | and you can watch the people who need to leave this shore |
| 32 | BiS | "つよがりさん" | single | waiting patiently for the people who need to reach this shore to be done with the sea. |
| 33 | nothing,nowhere. | "pain place (feat. MISOGI)" | Trauma Factory | We have declared ourselves as sculptors of regret, |
| 34 | Buffalobang | "Rock Museum" | A Beautiful Feeling 5 | and now we wait for the latent shapes inside of the sadness |
| 35 | Nosgov | "youwouldntnotice" | vampire night 5 | to helpfully reveal themselves. |
| 36 | Senses | "take me back" | single | We go through these same sequential stages every time: |
| 37 | Loli in early 20s | "The highest fear" | It is too late to save you 5 | frantic impulse; |
| 38 | grandee | "stranded" | single | the inductive accretion of rules and methods by which we might have become ourselves, |
| 39 | SEBii | "breakOUT" | single | but didn't; |
| 40 | midwxst | "Final Breath" | single | jurisdictional dance-battles over abandoned spaces; |
| 41 | juno | "conflict" | moirai 3 | canonicalization of the coincidental and transient; |
| 42 | Jackie Platinum | "Never Been Real" | single | despair; rage; starting over at the same place. |
| 43 | 93FEETOFSMOKE | "FIGHTFAIR" | single | If you can't hear your music in other people's music, |
| 44 | LiL Lotus | "Girl Next Door" | single | then you probably never heard your own music, either. |
| 45 | Ryan Oakes | "SECOND COMING" | SECOND COMING +2 | But it's not too late, |
| 46 | nothing,nowhere. | "love or chemistry" | Trauma Factory | never too late to hear everything all over again, |
| 47 | David Gray | "Dún Laoghaire" | Skellig | starting with whatever plays next. |
| 48 | Aman Sheriff | "Pick Me Up Tonight" | single | We are the children of reiteration and quiet roars, |
| 49 | Del Amitri | "It's Feelings" | It's Feelings +1 | and our heroes are poets come back to where they were from with fraying foreign shirts. |
| 50 | Gary Hughes | "Electra Glide" | single | The stories reach poignancy, but never stop there. |
| 51 | nothing,nowhere. | "trauma factory" | Trauma Factory | A tangible and coherent optimism |
| 52 | 616 | "Cinderella Valentine" | single | wears a pointless cape for the video. |
| 53 | Eternal Idol | "A Touch of Evil" | Rocking with the Idols | We need our stories more than we need their morals. |
| 54 | Secret Sphere | "The End of an Ego" | single | We know what to do when we fail to lift ourselves clear of the granite quays: |
| 55 | Ronnie Atkins | "Scorpio" | single | we line them with another layer of stone or boardwalk and try again. |
| 56 | Kayak | "Mystery" | single | We embed our deepest governing truths into meticulous origin myths, |
| 57 | Atreides | "Flor de Madrugada" | single | but then shine our brightest lights on the embossed covers of franchised sequels. |
| 58 | Orden Ogan | "Let the Fire Rain" | Let the Fire Rain +3 | We sing "tonight" to be heard tomorrow morning. |
| 59 | Matenrou Opera | "hakanakukieruainosanka" | hakanakukieruainosanka +2 | The people we were when we started to believe |
| 60 | The Crown | "We Drift On" | single | or to love |
| 61 | Gojira | "Born For One Thing" | Born For One Thing +1 | are gone. |
| 62 | Badlands | "Out of Reach" | single | We have awoken in their clothes and their lives, |
| 63 | Thorr | "Endless" | Dire 3 | in a city of inscrutable faeries |
| 64 | Dordeduh | "Desferecat" | single | built on rune-inscribed layers, |
| 65 | The Devil's Trade | "Dead Sister Merope" | single | with close streets leading to a bakery overlooking a harbor. |
| 66 | Mother of All | "Autumn" | single | Sometimes we sing to admit that we miss places we don't remember, |
| 67 | Suffering Hour | "Transcending Antecedent Visions" | The Cyclic Reckoning | sometimes we howl just to judge our distance from walls |
| 68 | Rise to the Sky | "Dream the Pain is Gone" | single | in the darkness. |
| 69 | Harakiri for the Sky | "Us Against December Skies" | Mære | If you can't fall in love with specific undistinguished streets in other people's cities, |
| 70 | Lake Of Tears | "The End of This World" | Ominous | then you are not yet at home where you live. |
| 71 | Mogwai | "To The Bin My Friend, Tonight We Vacate Earth" | As The Love Continues | We are amateurs of ritual, of method, |
| 72 | Immanu El | "Sparks" | single | barely willing to practice our most basic skills |
| 73 | Bell Orchestre | "IV: What You're Thinking" | single | and thus barely capable of performing |
| 74 | Rabbit Junk | "Industrial Is Dead (Remastered)" | single | our own identity the same way twice. |
| 75 | Black Honey | "Disinfect" | Disinfect 5 | But once, at what was thus the dawn of time, |
| 76 | Helalyn Flowers | "Some Kind of Outer Minds" | Àiresis | we realized that a captured moment can be replayed. |
| 77 | Paula Mattheus | "Viaje Sin Vuelta" | single | Art is not a labor of formation, |
| 78 | The Chain Gang Of 1974 | "Distorted (By You)" | single | it is a gesture of permanence. |
| 79 | Girlfriends and Boyfriends | "Colour Shining Bright" | Fallacy of Fairness | We die momentarily with every blink, |
| 80 | Terror Jr | "Too Soon" | single | and every worthwhile human grace is some kind of opposite of that: |
| 81 | Tones And I | "Fly Away - RIP King T" | Fly Away 2 | an aperture of openheartedness, |
| 82 | HAIM | "Gasoline (feat. Taylor Swift)" | Women In Music Pt III | or shifted perception |
| 83 | Emm Gryner | "All Love All the Time" | single | where the shift is into yourself. |
| 84 | Tenille Arts | "Give It To Me Straight" | single | Half of our songs are resignations to things that won't even happen, |
| 85 | Our Last Night | "drivers license" | single | and the rest turn the things that happened into things we can imagine imagining. |
| 86 | Kodes | "Avni Yıldırım" | single | We have a million words for doubt, |
| 87 | Joker | "kelime kelepçe" | Kirli Beyaz (Bozuk Kaset) | but our hearts are certain. |
| 88 | Guedra Guedra | "People's Cabaret" | single | Art is not a logistic compromise, |
| 89 | Aleksi Perälä | "FI3AC2139360" | Midnight Sun 4 EP-2A | it is a pattern of redemption. |
| 90 | Desolate Horizons | "The Unique Beauty of Noiselessness" | single | Some of the cities don't have a hill. |
| 91 | Diamantero | "The Village" | single | Presumably it is possible, however undesirable, to have a city without a bakery. |
| 92 | Ithwasa Lekhansela | "Izinyembezi Zenjabulo" | single | We have always walked down to the water, or to the edge of what we knew, |
| 93 | Nailah Blackman | "Melancholy" | single | to see how air or birds or strangers cross the boundary between our universe and the enfolding void. |
| 94 | Ghetts | "Mozambique (feat. Jaykae & Moonchild Sanelly)" | Conflict Of Interest | Sometimes we sing to adjust how time flows back or forth across this line. |
| 95 | Ballaké Sissoko | "Djourou" | single | Sometimes we say nothing as we move or erase or redraw the line. |
| 96 | Temperance | "My Demons Can't Sleep - Acoustic Version" | Melodies of Green and Blue | If you can't hear other people's music in your music, |
| 97 | Rúnfell | "Skadi" | Lyrdraces | you may also be wrong about which side of any line you're on, |
| 98 | TVINNA | "Skymning" | One in the Dark | which movements are transit and which are return. |
| 99 | Caterina Barbieri | "Fantas for Saxophone and Voice" | single | But the sky, like the skull, arches upward as if to seclude us, only to let in all of the dreams. |