| 1 | Laura Mvula | "Before The Dawn" | Pink Noise | We own the history we keep alive. |
| 2 | Desperate Journalist | "Armageddon" | Maximum Sorrow! | Otherwise it dies, |
| 3 | W O L F C L U B | "Flashbacks" | single | so "nostalgia" is a dismissive word for the only way anything ever continues: |
| 4 | Poppy | "Her" | single | we choose to keep believing in aspects of the inherently imaginary past. |
| 5 | Faouzia | "Hero" | single | We pick abandoned characters to inhabit, |
| 6 | Ruan Josh | "Verlore" | single | and lead them off their paths |
| 7 | Da-iCE | "Lights" | single | into triumphalist piazzas. |
| 8 | Roselia | "Sing Alive" | 劇場版「BanG Dream! Episode of Roselia」Theme Songs Collection 5 | We take their hypothetical significances |
| 9 | WAGAMAMA RAKIA | "FUTURES" | SUPERIORITY 5 | and sing them into propositions about tomorrow, |
| 10 | 工藤晴香 | "Under the Sun" | single | and thus about what movements our current positions can be taken to imply. |
| 11 | 未完成モノローグ | "BREAK" | single | We give unattended speeches |
| 12 | WORL'S END. | "OVERDOSE BADTRIPPERS" | single | to our gathered selves, |
| 13 | 角巻わため | "キミだけのメロディ" | キミだけのメロディ +1 | promising intimacy as if there were any other mode, |
| 14 | Drinking Boys and Girls Choir | "Time" | Marriage License | and progress as if it depends on our consent. |
| 15 | Jewel☆Rouge | "My Theory" | My Theory (Type-B) 4 | When we are as honest about our costumes |
| 16 | TOKYO TEFUTEFU | "tokyo tragedy" | tokyo tragedy +1 | as our aspirations, |
| 17 | BOY MEETS HARU | "yumemigatigirl" | harutsudouone | and the negligible difference between the fantasies whose frivolity we recognize |
| 18 | LEIWAN | "NANde" | single | and the ones we insist on taking seriously, |
| 19 | Carpathia | "Artillery" | single | our formulations gain the potential, however seldom fulfilled, to assume transformational power. |
| 20 | Dark Princess | "За Предел" | single | Our empires are constituted from performative faith and structural evasion, |
| 21 | Antillia | "Напряжение" | Источник | and thus govern by eliciting voluntary alignments of delusion, |
| 22 | Lost In Grey | "Disobedience" | Under the Surface | and fall at the softest reluctant touch. |
| 23 | Dragon Ash | "Dialogue" | NEW ERA 3 | We are the only arbiters of epochs, |
| 24 | THE ORAL CIGARETTES | "Red Criminal" | single | but mostly we have implied them before we stop to consider their markers, |
| 25 | Chased by Ghost of HYDEPARK | "FAITH" | RELOADED 5 | and begun to disbelieve in them before we have even stated their principles. |
| 26 | Rides In ReVellion | "Asayake wo matsu" | single | You are flung into revolution |
| 27 | LABRET | "Airony" | EVERLAST 3 | by the precession of your own blood |
| 28 | Hymn Above Traumatic Emotion | "泥濘" | 幻葬 6 | and the way the ground fails to bind you |
| 29 | The BONEZ | "Rusted Car" | single | but yet you remain. |
| 30 | THIS IS JAPAN | "ボダレス" | single | We invent psychogeographies |
| 31 | Akihito Okano | "その先の光へ" | single | in the same jubillant convulsions with which we reveal latent dimensions. |
| 32 | Scarlxrd | "Cant Stxp." | single | We invest in things we do not control, |
| 33 | Senses | "cannot handle" | single | because the alternative is nihilist hoarding. |
| 34 | 8485 | "3cheers" | single | We take responsibility for debris |
| 35 | Capoxxo | "gfuelinme" | single | by designating it treasure |
| 36 | m1v | "dead couple" | single | or encasing it protectively in memory. |
| 37 | LiL Lotus | "Think Of Me Tonight" | Think Of Me Tonight +1 | Otherwise we are adrift. |
| 38 | Anthony Sidoti | "Getaway" | single | Otherwise each coordinate in the expanding universe |
| 39 | Isaac Dunbar | "celebrate" | single | is an infinitesimal tragedy of retreat. |
| 40 | boyband | "how 2 say ur in love" | never knows best | Our conversations with ourselves are fanfiction of each other |
| 41 | familypet | "the wind whistles that song you used to sing" | single | in which we collapse into idealization |
| 42 | Melissa Brooks | "Joyful Potion" | Bratitude | in order to explain our capacity to explode. |
| 43 | GIRLI | "Dysmorphia" | single | Of course you don't recognize these gravity-flattened shapes |
| 44 | NINA | "Carnival Night" | single | seen half of the time in arbitrary artificial light. |
| 45 | Vega | "Sooner or Later" | single | Our avatars gain constancy |
| 46 | 7th Heaven | "Are We There Yet" | Be Here | by translating themselves out of the measurable planes, |
| 47 | NanowaR of Steel | "L'assedio di porto cervo (feat. Francesco Paoli)" | Italian Folk Metal | and thus resolve indeterminacy by self-exemption. |
| 48 | Ikirouta | "Myrskyn silmään" | single | We become stewards of the rules we defy |
| 49 | Powerwolf | "Bête du Gévaudan" | Bête du Gévaudan +1 | until we are able to discharge their intents |
| 50 | Lord Of The Lost | "Your Star Has Led You Astray" | Judas | into some form of betrayal |
| 51 | Dwell in Doom | "Army of the Underworld" | Shadows Deepen, Day is Done | with the same extent as law. |
| 52 | Doomcave | "Genesis" | Genesis +3 | Distrust any fantasy of selective rebirth. |
| 53 | Die Apokalyptischen Reiter | "Uelewa" | The Divine Horsemen | The only efficacy of doom is its looming power to triangulate everything else closer. |
| 54 | Year Of No Light | "Interdit aux Vivants, aux Morts et aux Chiens" | Consolamentum | Letting go of history requires muscles operated only by collective will. |
| 55 | Taake | "Ein Baat i Foss" | Avvik | Art is like an IKEA instruction manual for disassembling pain, |
| 56 | Obscura | "Solaris" | single | but sold separately, to be applied to whatever parts you manage to photosynthesize |
| 57 | Shining | "IDGAF" | single | or scavenge. |
| 58 | yuragi | "I Want You By My Side" | For you, Adroit it but soft | We become universal solutions of symbolic viscera |
| 59 | si,irene | "indispensable physiological function in a living body - (s,tc,2030)" | single | disguised as local inertiae, |
| 60 | mogro | "Gunyou" | Gunyou/Inui 2 | always explained and justified and obviated by the same math. |
| 61 | What Haunts You | "Loss Alone" | single | We own the history we forget |
| 62 | Eyelids | "Holiday Innn" | single | until we find it next to us again by ending up only approximately where we are. |
| 63 | Dave Days | "Pillow" | single | You can't let this keep you from sleeping, |
| 64 | Fayence Dream | "Hang up on Me" | single | least of all when you want to. |
| 65 | Adjy | "In Medias Res (Between Longing and Mystery)" | The Idyll Opus (I-VI) | We own what we sustain: doubt and conviction, |
| 66 | Snow Tha Product | "Que Oso" | single | complexes, |
| 67 | AYŞE BETÜL | "Ayarımı Bozma" | single | and every other kind of persistence |
| 68 | Efe Tüfekçioğlu | "Kuşatma" | single | that we embody by being trapped here |
| 69 | DJ SK | "Imithandazo Yam" | single | with kinetic and redemptive grace. |
| 70 | Dolores Catherino | "reIntegrations : I" | single | We materialize coruscatory continua between whatever points we assign to the outcomes we imagine, |
| 71 | Bendik Giske | "Flutter" | single | and thus become the waveforms that begin between them |
| 72 | Tangents | "Ossicles" | Ossicles +1 | and then describe everything else in those frequencies and timbres. |
| 73 | Novelbright | "ツキミソウ - From THE FIRST TAKE" | single | We walk into empty rooms |
| 74 | glass beach | "welcome to the black parade" | single | and memorial cities |
| 75 | The Silent Wedding | "Diamonds and Rust" | single | as if, absurdly, we are the first to arrive in these obviously constructed spaces. |
| 76 | Chester Lockhart | "Firework" | single | But today, we are. |