| 1 | Voices | "Hostile Confrontations" | An Audience of Mannequins 3 | It can feel like the sky is broken into shards, but emptiness itself is mercifully impervious. |
| 2 | Hamish Hawk | "The Mauritian Badminton Doubles Champion, 1973" | single | The broken edges we feel when we enter into it, |
| 3 | Detset | "So Offended" | single | are our own, |
| 4 | The Connells | "Steadman's Wake" | Steadman's Wake +1 | normally held against us by gravity and atmosphere |
| 5 | Skweletu | "Bizani umndeni" | Bizani umndeni | and clothes made for body sizes we are slow to acknowledge. |
| 6 | Navigator Gcwensa | "Wenzeni U Ngizwe" | single | The maps we gather around ourselves, |
| 7 | Ihhashi Elimhlophe | "Mina Nawe" | single | as we prepare performatively to explore, |
| 8 | Mashudu Nematoka | "Duvha La Munyanya" | single | are the tartan of a hereditarily restless clan, |
| 9 | Kabza De Small | "Wena" | single | looking down from the highlands on the lights |
| 10 | W O L F C L U B | "Lights Out" | Just Drive - Part 2 | stretched out below and beyond, |
| 11 | TORRES | "Hand in the Air" | Thirstier | lining the roads that can take us anywhere |
| 12 | Meet Me @ The Altar | "Brighter Days (Are Before Us)" | Brighter Days (Are Before Us) +1 | we allow, |
| 13 | GFOTY | "COLD PLAY" | FEMMEDORM | but at often-uncontrollable speeds |
| 14 | LiL Lotus | "Rooftop" | Rooftop +2 | with fogged windows against our cameras and indulgence. |
| 15 | Lil Xtra | "obvs" | single | We substitute constructed edges for frontiers, |
| 16 | snow ellet | "wine on the carpet" | single | or mistake them, it's kind of hard to tell. |
| 17 | glaive | "bastard" | single | I wrote songs when I was a teenager, too: |
| 18 | familypet | "payphone" | single | maudlin notional anthems set to internal murmurs, |
| 19 | fats'e | "bad news" | single | uneditable pseudonymous freestyles rendered with blue ink in a literary magazine on inexplicably parchmental paper, |
| 20 | Sullii | "not for now" | single | one ballad set to open piano fifths. |
| 21 | Ca$hrina | "empath vs energy vampire" | Trauma Queen | There aren't enough adults to witness every childhood staged in public, |
| 22 | Ravenna Golden | "Girlfriend Sucks (feat. midwxst)" | single | not enough medals for every organized prodigy, |
| 23 | Alice Longyu Gao | "Underrated Popstar" | single | not enough of us for each of us to be famous. |
| 24 | Wstdyth | "Popeye" | single | But the promise connectivity extends is not that, |
| 25 | King Woman | "Celestial Blues" | Celestial Blues | is not that each of us in our matte albedos |
| 26 | The Body | "Polly Gosford" | single | will have constellations strung around us. |
| 27 | Leprous | "The Silent Revelation" | single | It is not the inane assurance that universal fame will be bestowed on us all at once, |
| 28 | Soen | "Thurifer" | Thurifer +1 | and thus cannot be faulted for whatever infinitesimal fraction it obliquely permits to exist on existence. |
| 29 | Loch Vostok | "The Freedom Paradox" | Opus Ferox - The Great Escape | The internet is not an integrally economic device, |
| 30 | Cosmophobe | "Presence" | Presence +3 | but an empathic one. |
| 31 | Rivers of Nihil | "Clean" | single | It does not seek to free us, |
| 32 | Lantlôs | "Cocoon Tree House" | Wildhund | but rather exactly to bind us |
| 33 | Netherbird | "Atrium of the Storm" | Arete | together. |
| 34 | Succumb | "Okeanos" | single | Behave as if you will be famous for your next trivial action or gesture, |
| 35 | Ghostheart Nebula | "Ascension, Pt. I Cosmic River" | single | for the way bits of expensive cheese fall out of a sandwich listing neglectedly in your left hand |
| 36 | Teeth | "Dreamless Hieroglyphs" | Dreamless Hieroglyphs +1 | as you struggle to collate misdispensed napkins with your right, |
| 37 | Necrofier | "The Black Flame Burns" | single | for how you flinch when attacked by mistake, |
| 38 | Cradle Of Filth | "Crawling King Chaos" | single | for the unexpected grace with which you deflect an unwanted fate |
| 39 | Loch Vostok | "Seize the Night" | Opus Ferox - The Great Escape | or heron. |
| 40 | ZERO[Hz] | "Changing Mrs.SATELLITE" | VENOM 3 | Our heroic epics begin and end at the size of a village; |
| 41 | SABOTEN | "アサインブレイカー" | バカと天才とハミングバード 5 | above and below that our isolated and/or inconsequential stories are just documented, attached, downloaded and forgotten. |
| 42 | UNDEAD CORPORATION | "Oblivion" | single | Our mythologies end at the bottom of the sky, |
| 43 | Feelament | "DNA (Propaganda)" | single | and we chase their shadows along contours |
| 44 | Jinjer | "Mediator" | Mediator +1 | that are irrelevant to projection, |
| 45 | Edge Of Paradise | "The Unknown" | single | but physics to the grounded. |
| 46 | Last Days of Eden | "Silence" | single | Have you noticed the common qualities of all promised lands: |
| 47 | Dream Ocean | "Eterna Espera" | single | they subsist on hope stolen from our lives, |
| 48 | Bagira | "И Грянет Гром" | И Грянет Гром | on breath sucked out of our own lungs, |
| 49 | Reol | "白夜" | single | on impossibilties rendered tantalizing only by our reflexive disbelief. |
| 50 | NEO JAPONISM | "Signal" | single | Have you ever eaten ambrosia? |
| 51 | Kamikaze Sensation | "KAMIKAZE" | KAMIKAZE +2 | It's fine, it's good, there's a place in Doha or Tallinn or Singapore that mixes it with chocolate tahini and dragon fruit, |
| 52 | B.O.L.T | "未完成呼吸" | single | and it tastes like you're flying through an edible sunset with your mind and your mouth both open. |
| 53 | Kaneyorimasaru | "Minami Jujisei" | single | But the food court in heaven |
| 54 | W O L F C L U B | "Black Dress" | Just Drive - Part 2 | is only that, and then three empty stalls, and then Nectar King, |
| 55 | GFOTY | "ANOTHER GUY" | FEMMEDORM | and what you'd know if you ever worked there, |
| 56 | Terror Jr | "Smile Like That" | single | is that the ambrosia and the nectar both come out of Sysco packets in a shared commercial kitchen |
| 57 | Poppy | "Flux" | Flux +1 | that is always, at literally every moment, scrupulously clean. |
| 58 | Sleigh Bells | "Locust Laced" | single | We don't need to be raptured by divine beams, |
| 59 | Loli in early 20s | "yaderi" | single | we need to be reminded of the structural qualities of beanstalks and clouds |
| 60 | Amyl and The Sniffers | "Security" | single | and trust. |
| 61 | TORRES | "Keep the Devil Out" | Thirstier | You cannot armor yourself against the things you emit |
| 62 | Creeper | "Ghosts Over Calvary" | American Noir | or embody. |
| 63 | Charlotte Sands | "All My Friends Are Falling In Love" | single | We need not dream of an amnesia in which we stop thinking about everybody we have ever loved |
| 64 | Josie Cotton | "Calling All Girls" | single | during every moment with anyone. |
| 65 | Dolly Parton | "Sent From Above" | single | Love is not a process of elimination, |
| 66 | Ainoa Buitrago | "La Apuesta" | single | not a process |
| 67 | Pignoise | "Una Sensación" | single | but a resonant transparency tuned to ubiquitous joy. |
| 68 | Sondaschule | "Gute Zeiten" | single | It can feel like the sky pulls us, but too weakly, |
| 69 | Marathonmann | "In einer kleinen Stadt" | In einer kleinen Stadt +1 | so that we learn from one second one inch in the air to hate the earth, |
| 70 | Elvis Blue | "Sluit My Op" | Meer As Genoeg | and thus become willing to invest moral value in shoes that reassure us we are naturally above it, |
| 71 | Nitrate | "Children of the Lost Brigade" | Renegade | and this space-age foam is merely filling in the emptiness we have left below us. |
| 72 | Young Culture | "Shiver" | Godspeed 5 | Trust nobody who points to our shared earth and talks about emptiness, |
| 73 | OLD SCHOOL | "Unwavering" | single | and then gestures to places they have never been, |
| 74 | All Time Low | "PMA (feat. Pale Waves)" | single | and promises to take you there. |
| 75 | Skweletu | "Life is magic" | Bizani umndeni | The sacraments we gather around ourselves, |
| 76 | W O L F C L U B | "Altitude" | Just Drive - Part 2 | wet from unexpected rainstorms falling on omniscience, |
| 77 | KESH | "Mind Maze" | single | or blood from endless wars pounded against omnipotence, |
| 78 | CHVRCHES | "Good Girls - Prospa Remix" | Good Girls 5 | are soddenly unreadable allegories of obedience only half-heartedly disguised as legends of rebellion, |
| 79 | Brass Against | "Cherub Rock" | single | because the half of the heart that receives circulation back from the rest of the body |
| 80 | Angel Olsen | "Safety Dance" | Safety Dance +1 | knows that everything you touch is at once a risk |
| 81 | Malia J | "Smells Like Teen Spirit" | single | and the only way to know how anything feels. |
| 82 | Melodicka Bros | "Somebody That I Used to Know (Gothic Metal)" | single | You can get addicted to collecting every variation of a certain kind of sadness, |
| 83 | Volbeat | "Don't Tread on Me" | single | which is one of a million ways to turn sadness in upon itself. |
| 84 | SebastiAn | "Don't Tread on Else Matters" | single | Sadness and joy are not inverses, but reversible reinterpretations of each other, |
| 85 | Gabe James | "good 4 u - 4 the boys" | single | perfect and dishonest and self-preservational and self-destructive and contradictory and true. |
| 86 | First to Eleven | "good 4 u" | single | Our task is not to adjudicate uncertainty, but to return to its source and see that a different future has now been opened to us. |
| 87 | JACKIE EXTREME | "ALL EYES ON ME" | single | It's almost over. It skips the stupid part in the middle that you never want to hear more than once. It has just begun. |