| 1 | Nocean | "The Rise" | single | The first power streaming music offers is access to the world. |
| 2 | Battle Beast | "Master of Illusion" | single | You can find songs from places you have never been, |
| 3 | Supernova Plasmajets | "Beggin'" | Now or Never | or places you have visited dozens of times but come home from. |
| 4 | MoonSun | "Slain by Silence" | single | But listening has inertia, like anything else that displaces air, |
| 5 | Ignea | "Magura's Last Kiss" | Bestia 5 | and the second power streaming offers is release from its necessity. |
| 6 | Ersedu | "Black Garden" | Bestia 5 | If the song you are listening to is not carrying you into awe, |
| 7 | Septem Voices | "Смерть историй" | single | other songs are waiting eagerly to try. |
| 8 | Hand of Kalliach | "Òran na Tein'-éigin" | Samhainn | You are no longer constrained by your records, |
| 9 | Neopera | "Verge of War" | single | and thus have to answer for your hypothetical soul: |
| 10 | Carmilla | "People of the Eagle" | single | will it wander eternally tormented by the idea that there are better songs you haven't heard yet, |
| 11 | Secret Rule | "A New War" | single | or will it converge on a point of at once static and ecstatic familiarity? |
| 12 | Catalyst Crime | "Projection of My Mind" | Catalyst Crime | Is your favorite song an unreachable ideal, |
| 13 | Rage Of Light | "Lead The Riot" | single | or an inescapable one? |
| 14 | ael-アエル- | "陽炎" | DREAMER | It should be neither. |
| 15 | LiSA | "明け星" | single | The pessimist and the optimist should be left to their stained and factional cups. |
| 16 | CYCLONISTA | "TEENAGE LIFE" | TEENAGE LIFE +1 | You dip a clear glass in the unemptiable ocean |
| 17 | NEO JAPONISM | "TOMOSHIBI" | single | not to measure it, but to see what it contains. |
| 18 | 眩暈SIREN | "不可逆的な命の肖像" | single | The paradise of choice is that every glass is completely full of wonder, |
| 19 | ナナランド | "開花宣言!" | 開花宣言! (Special Edition) | but the glasses fit in your hand and the ocean doesn't even fit in your mind. |
| 20 | Seiko Oomori | "ひらいて" | ひらいて +1 | This song, this one, oh my god. |
| 21 | yama | "Oz." | single | But instead of an interminable, flawlessly undifferentiated afterlife, |
| 22 | AliA | "On this night once in a century" | single | this Elysia fields eternity in minute and imperfectable intervals. |
| 23 | tricot | "餌にもなれない" | single | These songs don't supersede each other. |
| 24 | the peggies | "Hello Sugar" | The GARDEN | They are not ranked. |
| 25 | KISIDA KYODAN & THE AKEBOSI ROCKETS | "ナイトウォッチ" | 異世界転生したらベストアルバムでした。 | Art and joy are not ranked, |
| 26 | sui sui | "Runner's High" | single | they are only sequenced. |
| 27 | The Pheromone Syndicate | "Copied & Pasted" | single | We move them around, |
| 28 | Ashnikko | "Halloweenie IV: Innards" | single | not to reach a conclusion |
| 29 | carolesdaughter | "My Mother Wants Me Dead" | single | or dispose of a burden, |
| 30 | GIRLI | "I Don’t Like Myself" | Damsel in Distress 5 | but to look at reflections of ourselves in our own eyes, |
| 31 | Senses | "sick goodbye" | single | and then to blink |
| 32 | mental | "skylight" | single | and see what was hidden behind and inside of us. |
| 33 | funeral | "NO RUSSIAN" | single | You will go places to which you will not want to return. |
| 34 | CMTEN | "I'm Going to Cedar Point" | single | But often this is a result of the ardor of the journey to get there, |
| 35 | Anxiety Attacks! | "6 Foot Hole" | single | or even of what was required to come back, |
| 36 | Arkaeo | "Never the Same" | single | and when you can be every place at once, |
| 37 | The Wldlfe | "Close to You" | single | all the places are yours. |
| 38 | miraie | "TOMARE" | single | You can float above them. |
| 39 | Lilac | "changed" | single | They may transform when you are not watching, |
| 40 | Yung Skrrt | "Further Comes First" | Frame Break 3 | but in doing so never become any differently distant. |
| 41 | ONI INC. | "Sunshine & Rainbows" | single | Joy may be contorted |
| 42 | Indigo Raven | "Our Sacred Soil" | Looking for Transcendence | without change to its helical structure. |
| 43 | Blackwater Holylight | "Who The Hell" | Silence/Motion | Funerals differ from other rituals |
| 44 | Myrkur | "Rivers Blessed - Demo" | single | mainly for their unaffected subjects. |
| 45 | forfedre | "Runar" | Runar 6 | Any legend you are hearing told, |
| 46 | SKÁLD | "Jólanótt" | single | you survived, |
| 47 | Runa Llena | "Keltoi" | single | but this doesn't establish their irrelevance, |
| 48 | Hulkoff | "Vápnum - Svitjod Edition" | Ragnarök | it confirms your instrinsic responsibility for how they are re-applied. |
| 49 | Obscura | "When Stars Collide" | When Stars Collide +3 | All cataclysmic cosmology is metaphor to the unincinerated: |
| 50 | Arch Enemy | "Deceiver, Deceiver" | single | fireworks in the image of perdition. |
| 51 | Bloodred Hourglass | "Leaves" | Your Highness | It isn't that no real things burn, |
| 52 | Voutsa | "11th Hour" | single | it's that they are never consumed by transient and illusory claims about fire, |
| 53 | Sarke | "Grim Awakening" | single | and however starkly divided we are by arguments over the morality or significance of flames, |
| 54 | Swallow The Sun | "Enemy" | Enemy +1 | we are still united against their heat |
| 55 | Raat | "Eternity" | Eternity +3 | and in their light. |
| 56 | 1914 | "FN .380 ACP#19074" | Where Fear and Weapons Meet | War is how you get from bad planning to gruesome history |
| 57 | Gravpel | "Tribute to Tiqqun | Identity" | Power to the filthy Masses | and back again. |
| 58 | Archgoat | "Black Womb Gnosis" | single | But all any side wins is the chance for all of them to start over from that same lost place, |
| 59 | Cradle Of Filth | "Existential Terror" | Existence Is Futile | no less scared |
| 60 | Dream Theater | "Transcending Time" | A View From The Top Of The World | but hopefully a little more certain that you can't become unlost by declarational sovereignty. |
| 61 | Within Progress | "Sky We Want, Sky We Love" | Inner | Progress is not a leftward movement, but a centering of the possible |
| 62 | Manimal | "Chains of Fury" | Chains of Fury 5 | amidst the ruins of anger |
| 63 | Burning Point | "Rules the Universe" | Arsonist of the Soul | and the retrospective bureaucracy of the burned. |
| 64 | Serious Black | "Rock with Us Tonight" | Rock with Us Tonight +1 | This song, ludicent and grandiculous, |
| 65 | Symphony Of Sweden | "Angels" | single | can carry us out of here, |
| 66 | Groundbreaker | "There's No Tomorrow" | single | out of this relentless year. |
| 67 | ONE OK ROCK | "Wonder - Japanese Version" | Wonder 2 | The first power joy offers is the ability to be immortal at the scale of moments, |
| 68 | PLOT SCRAPS | "Kokuhaku" | single | and thus meaningfully divine. |
| 69 | CHIC BOY | "kusowarobanndozinnsei" | kusowarobandozinsei 4 | Performative joy is thus the imitation of heaven, |
| 70 | sever black paranoia | "Lowly Love" | single | and performative doom is the same thing |
| 71 | Mr.FanTastiC | "ブレイキングブレイジング" | single | as sarcastic parody. |
| 72 | KAMI WA SAIKORO WO FURANAI | "タイムファクター" | single | Disbelief, too, drags you along whatever course you set it on. |
| 73 | Straightener | "宇宙の夜 二人の朝" | single | I have brought home half-forgotten records from faraway places |
| 74 | SARPARANTA | "Tämä voisi olla paratiisi" | Takaisin merkitykseen | I can now return to in delirious instants. |
| 75 | The Trews | "Permission" | single | The second power joy offers is freedom |
| 76 | Bastille | "No Bad Days" | No Bad Days +3 | from enemies: |
| 77 | JAGUWAR | "Monuments" | Gold | from your heroes and thus from their enemies, |
| 78 | Puppet | "The Worst Part About Me" | single | from the enemies that turn out to be you in other people's clothes nodding their heads |
| 79 | Biffy Clyro | "Errors In The History Of God" | The Myth of The Happily Ever After | along the axes you assume they incline, |
| 80 | Justin Courtney Pierre | "Somewhere A Dark Heart" | single | from imagined or asserted enemies used to justify observed loss, |
| 81 | James Arthur | "SOS" | single | from siege and thus from the need for a moral system predicated on rescue. |
| 82 | Dua Saleh | "trash snacks" | CROSSOVER | Is your favorite song about mistakes you will probably make, |
| 83 | HEALTH | "DEAD FLOWERS" | single | or about ways to hold onto them afterwards? |
| 84 | Vazum | "Jester" | Unrated V | Art is either edible, |
| 85 | Creux Lies | "Renegade" | Goodbye Divine | or a way to fix a point in decompositional time, |
| 86 | Anna Lux | "Schön Sein - Radio Edit" | single | or an explanation of how these two things are not different. |
| 87 | Moyka | "When" | The Revelations of Love | Everything we live on is dead: |
| 88 | Carissa Johnson | "Polaroids" | single | every moment in our pictures, |
| 89 | He Is We | "Finish Line" | Finish Line +1 | every triumph in our claims, |
| 90 | PVRIS | "My Way" | single | every answer to questions that are thus no longer asked. |
| 91 | Autumn Fires | "Open My Eyes" | single | You can take a story we have all heard a million times |
| 92 | Glacier Veins | "Cover Me" | single | and throw away all of it except for "Once", |
| 93 | Waiting 4 April | "Photo Memory" | single | and still end up telling it again, |
| 94 | Southern Lights | "Better Again" | single | blurrier and inexplicable and immeasurably improved. |
| 95 | Hand Habits | "More Than Love" | Fun House | It reminds me of something, |
| 96 | Alex Lahey | "Spike The Punch" | single | and as I'm standing here trying to remember what, |
| 97 | LÉON | "Soaked" | single | you can be dancing in rain or tears or breath, |
| 98 | Lindy-Fay Hella | "Los" | single | or drifting in definitional aplomb. |
| 99 | Lights | "Prodigal Daughter" | single | Art is either kinetic |
| 100 | Gracie Abrams | "Rockland" | single | or exhortational. |
| 101 | ROSIE | "Screaming Underwater" | 20mg of Happiness | You can be floating in seas or tears or air, |
| 102 | Rain Paris | "Easy On Me - Radio Edit" | single | demanding that it carry you. |
| 103 | Taylor Acorn | "Left You Instead" | single | This is how a story begins |
| 104 | Tenille Arts | "That's My Friend You're Talkin' About" | Girl to Girl | that ends on a beach or on a road or wherever you are standing exactly now, |
| 105 | Vanesa Martín | "Soy" | single | or how a story ends that starts there. |
| 106 | Malú | "Abran Fuego" | Mil Batallas | Art is either happening now |
| 107 | Ricardo Arjona | "De la Ilusión Al Miedo" | single | or it's too late to be afraid of what it implies. |
| 108 | Die Heuwels Fantasties | "Hoor Jy My" | Volume | The first power we accept is the authority to return the abandoned air that we have collected inside of us |
| 109 | Vico da sporo | "Sila" | single | back to the world in a newly definitive grace, |
| 110 | De Mthuda | "Inkomo Zam" | The Landlord | at a pace slower than our heart but faster than our fear. |
| 111 | Msaki | "Mntakababa" | single | As you do not fault each of your own breaths for the ways in which they repeat each other, |
| 112 | Moonchild Sanelly | "Covivi" | single | so we may return to the same joys or the same fountains of joy or the same paths that maybe once led to fountains. |
| 113 | Kususa | "Abantu Bakho" | Abantu Bakho +1 | We do not say not this joy again, |
| 114 | Darksidevinyl | "Ulu" | Ulu +1 | but this is a skill we have learned, |
| 115 | Thandi Draai | "Out of Africa" | single | and then forgotten we were not born with. |
| 116 | Vanco | "Memeza" | Memeza +1 | The second power we accept is the astonishing capacity to disregard the intractable impossibility of existence |
| 117 | Nandy | "Kunjani" | single | and dance like there is music and there is us and we can hear it. |
| 118 | Bruce Melodie | "Sawa Sawa" | single | This is how a song can catch us before we even fall. |
| 119 | bliss3three | "MIRROR's GUIDE" | MIRROR's GUIDE +1 | This is how a noise can explain that we are infinitely suspended, |
| 120 | Kcin | "The Hushings - Ambient Edition" | single | and cannot fall, |
| 121 | Phyllomedusa | "Urspelerpes Upluck (Who Cleans Up Toadkill?)" | Froggy Got Run Over By Vantana Row 2 | and the rushing ground is there to give the air something to touch. |
| 122 | Leæther Strip | "Dr. Mabuse (First Life)" | Æppreciation V | This rushing ground looks familiar. |
| 123 | Melissa Ferrick | "You're No Rock N' Roll Fun" | single | This song, oh my god, wait. Were we always like this? |
| 124 | Shiritsu Ebisu Chugaku | "ジャンプ - From THE FIRST TAKE" | single | Every lost and perfect minute of our life? |