| 1 | Nevaria | "Reckless" | single | What if we believe that nations move from oligarchy towards democracy? |
| 2 | Moonlight Haze | "It's Insane" | single | Some days I think they are propelled in this direction by irrepressible human decency, |
| 3 | Magica | "A New Redemption" | single | some days I wonder if they're dragged in it against all cynical traction by pure stubbornness, |
| 4 | Shaylon | "The House in the Sky" | The Initiation of a Timeless Voyager | some days I fear that the heart and skin have faith but the other organs would just as soon choose dismemberment. |
| 5 | Memoremains | "Back Off" | single | More likely, I guess, is that the damp volumes of subjugation are only readable at the lowest levels of comprehension, |
| 6 | Windrunner | "Lavender" | single | and thus the more people know, the less you can convince them to suffer. |
| 7 | Mortemia | "Here Comes Winter" | single | You can't fix everything with math, |
| 8 | Averlanche | "Diamantene Höhen" | single | but nor can you invent more-malleable numbers with disingenuity. |
| 9 | Shield Of Wings | "Crushing Hail" | single | Our power, therefore, however it temporarily pools, |
| 10 | Girugamesh | "engrave" | single | eventually flows towards an equilibrium of equality. |
| 11 | ARLEQUIN | "MONSTER" | single | Sentience is the tendency to seek mutuality over entropy, |
| 12 | MAD JAMIE | "JAMIE's FLAG" | JAMIE's FLAG +2 | or in the darker ages, at least the ability to recognize mutuality in admittedly self-negating and limited forms. |
| 13 | Avilis | "Adabana" | Adabana +3 | Life is a resistance against decay, whether instinctive or willful. |
| 14 | Symphony Of Sweden | "Champions" | Saints Of Yesterday | We are the improvable creatures. |
| 15 | Spirits Of Fire | "Embrace the Unknown" | single | What if we believe this? |
| 16 | Withering Season | "Out of Darkness" | single | Of course it implies globalism, |
| 17 | Saxon | "Age of Steam" | Carpe Diem | but then probably the arcs of the earth are the courses I mean by "of course". |
| 18 | Kreator | "Hate Über Alles" | single | Any other geometry is terminal, |
| 19 | Induction | "Sacrifice" | single | usable only for diversion and death maps. |
| 20 | Persefone | "Architecture of the I" | metanoia | Globalism celebrates nations in their multifarity |
| 21 | Conception | "Monument in Time" | single | or tolerates them within careful constraints, |
| 22 | Glasya | "Journey to Akhbar" | single | not out of antagonism towards culture, |
| 23 | Violet Cold | "Immersive Collapse" | Səni Uzaq Kainatlarda Axtarıram | but because have learned through long and abject history |
| 24 | Krvvla | "XII" | X | that "culture" is richest when it arises from energy exceeding survival, |
| 25 | Månegarm | "Ulvhjärtat" | single | and poorest when it attempts to mischaracterize the artless hoarding of wealth as interior decoration. |
| 26 | Danheim | "Skovblót" | single | It's 2022 and it's still be possible to assemble an index fund of monarchies, |
| 27 | (DOLCH) | "Open" | Nacht | but it would be a bad investment. |
| 28 | ZAQ | "ZIGZAG" | single | Majesty is not self-defending. |
| 29 | fripSide | "Leap of faith" | Leap of faith +3 | It's not that there is no way to hoard artfully, |
| 30 | On the treat Super Season | "moving" | single | it's that there are always other ways, |
| 31 | Epsilon Zero | "My Heartbeat for You - Japanese Version" | Phantom Breaker: Omnia (Promotional Soundtrack) 3 | and always ultimately the truth that we can build cathedrals ourselves |
| 32 | SOMOSOMO | "ADVENTURE!" | single | because it was going to be us building them no matter what. |
| 33 | シバノソウ | "愛を祈らないで" | single | The remaining kingdoms are the gilded egg-thrones |
| 34 | CYNHN | "2時のパレード -ν-" | Blue Cresc. | of oviparous republics waiting to crack. |
| 35 | STEREOGIRL | "Spirit & Gravity" | single | This victory of the spirit sometimes seems imminent, |
| 36 | 熊田茜音 | "いいんだよ" | single | but by the time these kinds of victories become imminent |
| 37 | SEESAW | "Ichibanboshi" | BARRAGE | they have usually long since become inevitable, |
| 38 | kobore | "MARS" | single | and usually this is because while you were defeating Evil, |
| 39 | Seven Billion Dots | "My Light" | single | everybody on its support staff |
| 40 | Novelbright | "The Warrior" | single | quietly abandoned that falling citadel for some other one incautiously left vacant. |
| 41 | The Gospel Youth | "Recover" | single | The quantity of evil is not strictly conserved, |
| 42 | Rezlaine | "in a knot" | single | but the slow disintegration of it is more like erosion than bombs or blows, |
| 43 | Sellasouls | "6houlshawty2k22.0" | single | including the sentimental sedimentation by which new shapes of it accrete. |
| 44 | PRXJEK | "GOD OF A DIFFERENT PLANE" | GOD OF A DIFFERENT PLANE +2 | Thus we progress towards a shared resolution on government |
| 45 | Sinizter | "THE DEPTHS" | single | while economics forms. |
| 46 | Love Ghost | "Zincirler" | single | The new palaces are not erected in Windsor or Versailles by florid parchmental edict, |
| 47 | Rivilin | "Heart Breaker ; Dream Chaser" | single | they are incorporated in Delaware or Luxembourg by obfuscatory PDF. |
| 48 | ghosthands | "all my friends" | single | Everything we have learned in the fight from empire to populace |
| 49 | Finde Fantasma | "Me Voy a Romper" | single | will be required again for the equally necessary transition from corporation to collective. |
| 50 | Lunáticos | "Cuestión de tiempo" | Animal | Every moral about the fallacies of kings |
| 51 | MELIFLUO | "15 Pitis" | single | will need to be recalibrated and returned to service. |
| 52 | El Último Vecino | "Ábreme La Puerta" | Juro y Prometo | Just as we have laboriously comprehended that nations are only their people, |
| 53 | Miss Caffeina | "Fuerte el aplauso" | El año del tigre | inhabitants and visitors as profoundly as their native born, |
| 54 | Meridian | "No Es Solo Gracias" | single | so we will have to learn to grant that companies are also only their people, |
| 55 | Rockwasser | "Heute Nacht" | single | suppliers and customers as intrinsically as their nominal employees. |
| 56 | Schlussakkord | "Zensierte Freiheit" | single | However fanciful royal courts and hereditary monarchs seem to you now, |
| 57 | The Catalina | "All Over Again" | single | so will this age of appointed C-suites and founder-stock billionaires. |
| 58 | Young Guv | "Good Time" | Good Time +3 | So will the era of NDAs and employment "at will" |
| 59 | Letting Up Despite Great Faults | "She Spins" | single | and gig aggregators and hierarchical management. |
| 60 | Glacier Veins | "Autonomy" | single | So will the idea that ethics is a tactical opportunity for corporate extra credit, |
| 61 | Rolo Tomassi | "Almost Always" | Where Myth Becomes Memory | rather than a formalization of how it is we operate the mechanics of society |
| 62 | Lights & Motion | "Touching Sky" | The World I Remember | for society's benefit. |
| 63 | El Ten Eleven | "The Time Knife" | The Time Knife +2 | So will profit margins, |
| 64 | Thermostud | "Nightkids walking and riding" | Nightkids walking and riding / Pastdays, you fucked my life 2 | so will negotiating for the right to have your humanity |
| 65 | Peach PRC | "God Is A Freak" | single | represented in everything to which you contribute it, |
| 66 | Tate McRae | "she's all i wanna be" | single | so will IPOs. |
| 67 | Lucy Dacus | "Kissing Lessons" | single | The Public is not stock brokers, |
| 68 | The Linda Lindas | "Growing Up" | single | it is all of us. |
| 69 | Erin Kinsey | "Hate This Hometown" | Hate This Hometown +3 | You cannot own France. |
| 70 | Franja Du Plessis | "My Lief" | single | This lesson took centuries to learn, and then a few decades more to teach. |
| 71 | María Parrado | "A Mí" | Conmigo | But nor can you own Walmart or Amazon. |
| 72 | Four Get Me A Nots | "Carry on" | single | The problem with capitalism is not that the free market doesn't optimize for social goods, |
| 73 | ayaka | "I believe - Room session" | LOVE CYCLE -Room session- | or that corporate tax policies are not administered uniformly, |
| 74 | milet | "SEVENTH HEAVEN" | visions | is that it is a name for the collective misfortune |
| 75 | Da-iCE | "Clap and Clap" | single | that results from privatizing feudalism. |
| 76 | Queen Lolly | "Malume" | Ichwane Likamashezi | You cannot start with the model that employment is serfdom |
| 77 | Mshinwemali | "Cel' hlale Nami" | single | and produce anything humane. |
| 78 | Makhadzi | "Kulakwe" | single | This matters, I think, because if you start with the model that collectives can form independent of the nation-space, |
| 79 | Neurotech | "The Seraphic Symphony" | single | then it's easier to understand the moral imperatives of companies and nations. |
| 80 | The Dark Atom | "Nightmare" | Imagination | The solution is not to subsume companies into governments, |
| 81 | Wolfgang Flür | "Birmingham (feat. Claudia Brücken & Peter Hook)" | single | it's simply to stop imagining that there's any reason for the two constructs to respect different human rights |
| 82 | Elevation Worship | "What I See (feat. Chris Brown)" | single | when they're composed of the same humans, |
| 83 | Money Hammer | "Two Considerations About Dividends: A Response to Passive Income Advocates" | single | and not-composed of the same humans. There's only us. |
| 84 | Violet Orlandi | "Behind Blue Eyes" | single | What if we believe that our conscience and our presence are as much of our work as our labor? |
| 85 | FalKKonE | "Itsumo Nando Demo - Always With Me (From "Spirited Away")" | single | We move between worlds that we create, that we write with our songs and SQL queries and refusals and insistences. |
| 86 | 8-Bit Arcade | "The Breakup Song (8-Bit The Greg Kihn Band Emulation)" | By Request, Vol. 162 | We just have to not write them like that any more. |