| 1 | Ardours | "Insomniac" | Anatomy of a Moment | I do not want to sleep. I do not want this song to end. |
| 2 | The Spider Accomplice | "Rebels and Riders" | single | I do not want any of these songs to end, even to give way to next week's new songs, |
| 3 | Within Temptation | "Don't Pray For Me" | Don't Pray For Me | even knowing that if we ran time backwards I would feel exactly the same. |
| 4 | Victoria K | "Persephone" | single | Time is not consumed by songs, it is sustained, |
| 5 | Concrete Castles | "You Won't See Me Again" | single | which is both why their economy cannot be quantized in half-minutes, |
| 6 | Yours Truly | "Careless Kind" | Careless Kind +3 | and also why duration is probably the best of all the bad options. |
| 7 | Metric | "False Dichotomy" | Formentera | If you use generic, artless, joyless, voluminous noises to bulk-waste time, |
| 8 | Somehow Jo | "Fata Morgana" | single | the fault is not joy's for its insistence |
| 9 | Veil of Mist | "Death In Your Eyes" | Death In Your Eyes +1 | or indivisibility. |
| 10 | Infinitum | "Monster Part 2" | single | An expedient moral economy, at least notionally, rewards attention, |
| 11 | Sleeping Romance | "Call My Name" | single | but thus flounders on the unmeasurable and fluctuating subjectivity of engagement. |
| 12 | Madame Mayhem | "Inside Out" | single | Should this song be worth less if it plays during a long-run segment plagued with wind noise, |
| 13 | Blackwater Drowning | "The Filth Element" | Sonder//Satori | or while I'm trying to fix other people's query bugs, |
| 14 | Revocation | "Diabolical Majesty" | single | than now, when I'm holding still to see which precipice it's trying to drive me towards? |
| 15 | THOUSAND EYES | "Everlasting Trail" | single | The song has not changed. I have not changed very much. |
| 16 | DaizyStripper | "HATSUYUME" | single | Billing by transformation is unusably self-referential. |
| 17 | coldrain | "Help Me Help You" | Nonnegative | A retributive moral economy might aspire to attach costs to indolences: |
| 18 | 夕闇に誘いし漆黒の天使達 | "Good Morning Dead" | 七生活 | playing songs carelessly is expensive, |
| 19 | Zsasz | "Geimei" | single | allowing them to monopolize your love is a gift from listener to notes. |
| 20 | AdFicTioN | "Dawn Light" | single | This doesn't lend itself readily to a subscription economy, |
| 21 | *Luna | "アウトサイド - feat. +α/あるふぁきゅん。" | single | but nor did it ever to any of our previous iterations of patronage or capital. |
| 22 | LYSM | "無限大Actor" | single | We don't know how to value anything other than scarcity, |
| 23 | MELON BATAKE A GO GO | "GO GO MELON THE VICTORY" | MELONBATAKE A GO GO | and the only way we know how to value scarcity is absurd. |
| 24 | Sayuri | "Flower tower" | single | "Value" is, ultimately, a enticing diversion |
| 25 | NightOwl | "Beyond the Night" | single | founded on an implicit self-doubt: |
| 26 | halca | "DareKareScramble" | single | we stipulate ourselves as original supplicants |
| 27 | Little Lilith | "Graffiti" | Graffiti 5 | and then attempt to explain how to earn humanity by usurious borrowing of nobility |
| 28 | TORICAGO | "HIMAWARI" | single | in order to serve it to the entitled. |
| 29 | BiS | "ONCE AGAiN" | Hey boy hey girl 4 | This system does not fall apart so much as never achieve coherence in the first place. |
| 30 | PLANCK STARS | "REVOLUTiONiZE" | single | If you cannot declare yourself transcendent, nor can anyone else, |
| 31 | Li-V-RAVE | "In the Sky at Night" | single | and the space between the stars and the grounded |
| 32 | Sonoko Inoue | "アンビリバボー" | single | is a reflective multiplication of a trivial displacement you could cross |
| 33 | Nana Mizuki | "MY ENTERTAINMENT" | DELIGHTED REVIVER | by reaching a hand out sideways, instead of trying to fire old plastic into the heart of the sun. |
| 34 | Regal Lily | "Nowaa" | single | The urge to exist to serve others is nihilistic, however earnest, |
| 35 | クレナズム | "明日には振り向いてよ" | single | and thus we cannot assign wages to labor |
| 36 | KOTORI | "GOLD" | single | and then pretend that employment levels gauge our merit |
| 37 | Royz | "gekkou" | Lync | or justify our survival. |
| 38 | Mrs. GREEN APPLE | "君を知らない" | Unity 6 | If you did not ask to be born, |
| 39 | PELICAN FANCLUB | "ForTune" | single | you did not incur any ensuing debts, |
| 40 | BugLug | "ひとりごと。(Hitorigoto.)" | ひとりごと。(Hitorigoto.) +2 | nor consent to be implicated in any cynical accounting of attendant costs. |
| 41 | Skorn3896 | "Wait For Me // Make Me Bleed" | single | Arguing about how musicians get paid, after you have heard them sing, |
| 42 | blackwinterwells | "480" | single | is like hoping to find the landing gear among a crashed plane's debris, |
| 43 | shinigami | "when ur around" | single | and then finding, instead, an empty field under a perfect sky, |
| 44 | Eredaze | "We Left It Behind" | single | and standing there looking up, hoping helplessly for catastrophe. |
| 45 | Kado | "Empty" | single | Problem-solving is a remedial and inadequate response to problem-causing, |
| 46 | DYLYN | "Skin and Bone" | single | cycle-perpetuating at best and entropy-hastening at anything less than unattainable best. |
| 47 | SayWeCanFly | "Better Than Before" | single | You can't win a war. War is a transliteration of institutionalized loss into ceremonial violence. |
| 48 | renforshort | "hate the way you love me" | dear amelia | Past wars are definitional failures, |
| 49 | Ca$hrina | "you got games on your phone?" | single | like relationships you have to step outside of to tell whether you belonged in them, |
| 50 | Baby Queen | "Nobody Really Cares" | single | or like towers you try to sell before building, |
| 51 | PRONOUN | "roe vs gofvckurself" | single | and then, having sold them, try to build without first asking how you will disassemble them when they are complete, |
| 52 | Bronnie | "Death Wish" | single | and how you will know when it's time, |
| 53 | The Foxies | "If Life Were A Movie" | single | and what time consists of in shared space. |
| 54 | Giselle Torres | "PARANOID" | single | By the time the fight starts, the conditions for the fight have become heroically reified, |
| 55 | tiLLie | "luckie" | single | and we're left to cheer smugly for costumed champions of whatever we've rendered incompatible. |
| 56 | Fleurie | "Rain In The Summer" | Rain In The Summer +2 | And after the fight we have the same problems, plus blood and the compelling distraction of unproductive vengeance. |
| 57 | Mise En Scene | "You Feel Good" | single | Unhaving the fight means sharing the responsibility for tracing yourself back, together, to the last point of concurrence. |
| 58 | Alvvays | "Pharmacist" | single | Falling in love is reaching this same point via accident and gravity instead of traceable paths, |
| 59 | Lande Hekt | "Gay Space Cadets" | Gay Space Cadets +1 | and thus a elision mistaken for a clue, |
| 60 | NoSo | "I Feel You" | Stay Proud of Me | and a gathering of community mistaken for a refuge of self-sufficiency. |
| 61 | Sabina Ddumba | "CLOUD 9" | DEAR 27 pt. 1 5 | We are marooned in our ethereal solitude, |
| 62 | Figure Section | "Another Sun" | single | and solitude is not dispelled by minimal counteraction. |
| 63 | Caterina Barbieri | "Transfixed" | Spirit Exit | Each song you hear is not the end of listening, |
| 64 | Ola Szmidt | "For Eric" | EP3 5 | but a marshaling of however few gracious minutes of unsilence. |
| 65 | Thandi Ntuli | "Izibongo" | Blk Elijah & The Children of Meroë | We are not looking for the perfect song, |
| 66 | Citizen Deep | "Umhlaba Wakho (feat. Nkosazana Daughter & Azana)" | single | we are learning what it means to sing, |
| 67 | Sha Sha | "Ungowami (feat. Soa mattrix)" | single | and thus what it means to be human |
| 68 | Homeboyz | "Phumelela" | single | as specifically opposed to not. |
| 69 | Los Cabra | "Jachal" | single | The seed of truth in the origin stories of all mythologies is the origin itself, |
| 70 | HaZa | "Horizon" | single | our commonality and unavoidable shared fate; |
| 71 | Sfarzo Rtee | "Messenger" | House Of Sgija | the vine of discord that we cultivate from it |
| 72 | Da Muziqal Chef | "Obrigado" | single | is the clerical notion that we may become properly reconciled to division |
| 73 | KOKOKO! | "Polo Muneni" | Elongi na Elongi 2 | through a self-righteous assignation of heraldry to our thus-named enemies. |
| 74 | E-An-Na | "Toropeală" | single | When you reconcile with one enemy, |
| 75 | Andile Cele | "Namhlanjena Lizwakele" | single | look around you. |
| 76 | End Street | "Maalala Mo Sana" | single | If there are other people left, |
| 77 | Sündflut | "Fünf vor 12" | single | repeat the process. |
| 78 | Betonkust | "9000 Tears" | single | If you play one perfect song |
| 79 | Unherz | "Finde deine Flügel" | Sinnkrise | and the universe is not yet also perfect, |
| 80 | Volver Al Origen | "Volver al Origen" | single | play the next one |
| 81 | Zero Pressure | "Running" | single | and try to pay closer attention. |
| 82 | Mayday Parade | "Thunder" | Thunder +1 | We are not yet stronger than storms, |
| 83 | Darkswoon | "Eaten by Wolves" | single | not yet free of the lycanthropic urge to treat survival |
| 84 | Soft Kill | "Always Running" | single | as a tenuous individualism, |
| 85 | Palm Ghosts | "World Dissolve" | World Dissolve +1 | not yet better than these rocks over which we are a scarcely detectable sheen, |
| 86 | The Faim | "madly, badly, fixed" | Talk Talk | not yet unbroken, |
| 87 | Nathan Wagner | "Creative Mind" | single | not yet probably clear about what it means to be broken |
| 88 | SelloRekt / LA Dreams | "This Is The Life" | HindSight | and also hopeful, |
| 89 | Timecop1983 | "The Quiet Life" | single | not yet sure when to listen harder |
| 90 | The Midnight | "Avalanche" | Avalanche +2 | or how to listen less like falling, |
| 91 | a-ha | "I'm In" | single | or how to mistake your memories for a person. |
| 92 | Hunter Hayes | "Missing You" | single | That sound? That's your heart that's breaking, |
| 93 | Sub-Radio | "1990something" | single | but sometimes that's the only way to get it open. |
| 94 | Journey | "Don't Go" | Freedom | Some days the only things we're sure about are the things you shouldn't do: |
| 95 | Tdw | "The More We Remember" | The Antithetic Affiliation (The Idealist) | leaving, giving up, unbelieving, forgetting, being afraid to forget. |
| 96 | Manga Saint Hilare | "Cammy Riddim Freestyle" | single | Discarding entropy is the long way to order, |
| 97 | Shatta Wale | "Cold Store" | single | but we have songs enough for the long ways. |
| 98 | Tom Vek | "New Guilty Pleasure" | single | We need not apologize for slow journeys |
| 99 | Emo Kid | "на твоих руках" | I'II NEVER CRY 4 | through unfamiliar towns, |
| 100 | Arda Gezer | "Risk" | Episode 2 | because our journey is also their journey. |
| 101 | WARGASM (UK) | "Fukstar" | Fukstar +1 | All of these towns are ours. |
| 102 | Angusraze | "TOUCH MY SIDE" | single | Their skin is ours. |
| 103 | ERRA | "Pull From The Ghost" | single | The questions they think define them are how we got our names. |
| 104 | Second To Sun | "North Metal Legion" | single | Their flags are cloth, |
| 105 | The Sluagh | "I bhFolach EXT - Enivid Creatures Bonus Track" | single | their songs are songs, |
| 106 | Homeskin | "Dripping Chalice" | Life's Wishes to Tears | their blood is ours, |
| 107 | Wormrot | "Broken Maze" | Hiss | our twisting ways are entwined. |
| 108 | Imperial Triumphant | "Tower of Glory, City of Shame" | single | Entwining is how the ways became twisted into shining empires |
| 109 | Panzerfaust | "The Far Bank at the River Styx" | The Far Bank at the River Styx +1 | and dark realms, |
| 110 | Soul Dissolution | "The Absolving Tide" | single | and patient repeated unraveling is how we untwist them, |
| 111 | Aldaaron | "Arcane Mountain Cult" | single | how we become undevoted to our makeshift remotenesses. |
| 112 | UZLAGA | "Warhorns Cry As The World Waves Goodbye" | THE MIGHT OF WAVES | Days spent learning how to fight, |
| 113 | The HU | "Black Thunder" | Black Thunder +2 | accompanied by pragmatic battle anthems, |
| 114 | HYMALAYA | "Anwealda" | single | are black noise instead of white, |
| 115 | Sagason | "The Vanir" | The Vanir +1 | but songless noise does not become the hue |
| 116 | Bjarla | "Новый конунг" | single | of a new king's court |
| 117 | EIRLYS | "Fairy Light" | single | through magic or prisms or decree. |
| 118 | Dronny Darko | "The Infinity Bell Pt. 1" | Dissolving into Solitary Landscapes | This is not the fault of light, nor of the days we divide light into. |
| 119 | Kali Malone | "Living Torch I" | Living Torch | Light is not omitted by songs, it's modulated into elation. |
| 120 | NinDjent0 | "Lavender Town" | single | We do not exist to serve others. |
| 121 | Rain Paris | "Middle Of The Night - Nightcore Version" | single | There are no others. |
| 122 | Caleb Hyles | "What Else Can I Do?" | single | We multiply. Our songs exponentiate. Our power compounds. |
| 123 | Master Sword | "Come Sail Away" | single | The angels aren't coming with a spaceship, |
| 124 | Broken Peach | "Firework" | single | that's only another rock that just traced a burning arc through the sky to land smoldering at your feet. |
| 125 | Tate Logan | "Jessie's Girl" | single | Where can you find a rock like that? You're standing on it. |
| 126 | Halocene | "Under Pressure" | single | The universe spun and mashed it all together for us and the spiders, |
| 127 | Halocene | "Livin' On A Prayer" | single | and we've only halfway made the case that the spiders shouldn't have it to themselves. |
| 128 | Cimorelli | "Running up That Hill - Slow Version" | single | But do you want to hear about the deal I'm proposing? |
| 129 | Becko | "Running Up That Hill (A Deal With God)" | single | It's with you. It's this: we imagine what would happen if we swapped our places, |
| 130 | Last Motion Picture | "Running Up That Hill" | single | and then we keep working until we know that we could, any of us, and we wouldn't be unhappy. |